H.S. Goodhart-Rendel and the 20th century Victorians

Harry Stuart Goodhart-Rendel (1887-1959) is someone who has loomed very large in this blog. I’m aware that I’ve quoted him extensively without fully explaining who he was and why he matters so much to any student of Victorian architecture. It is now time to bring him centre-stage, even if that means straying outside the chronologicalContinue reading “H.S. Goodhart-Rendel and the 20th century Victorians”

Joseph Clarke (1819/20-1888): an unexpectedly deft safe pair of hands

Today’s post forms something of a pendant to the preceding post on Henry Woodyer, not least because it takes in the remarkable church of SS Peter and Paul in Foxearth, Essex. It deals with an architect who, like Woodyer, was active chiefly in the Home Counties. Again like Woodyer, he specialised in ecclesiastical work –Continue reading “Joseph Clarke (1819/20-1888): an unexpectedly deft safe pair of hands”

J.P. Seddon at Birchington-on-Sea: from ‘Vigour and Go’ to Sweetness and Light

The subject of this post is a particular favourite of mine. Over the course of his long life, he was hugely industrious, not just in architecture but also in the applied arts – furniture, ceramics, stained glass, wall and ceiling painting, textiles and metalwork. Active as an author, polemicist and lecturer, he wrote almost prolificallyContinue reading “J.P. Seddon at Birchington-on-Sea: from ‘Vigour and Go’ to Sweetness and Light”

Technicolour Roguery: the rise and fall of Bassett Keeling

The 19th century was the age of Romanticism. Though its influence was felt in all the arts, many of the impulses driving the Romantic movement were literary in origin and one of their purest expressions is in the archetype of the Romantic hero – fated to be an outcast from society by incomprehension of hisContinue reading “Technicolour Roguery: the rise and fall of Bassett Keeling”