Robert Lewis Roumieu: progressive or prankster?

One is the former London office of a firm that produced vinegar and fortified wines. The other is a speculative development of townhouses aimed at the affluent middle classes. Fairly mundane projects typical of the 19th century, one might think; typical, indeed, of hundreds such up and down the country, brought into being by theContinue reading “Robert Lewis Roumieu: progressive or prankster?”

J.P. Seddon at Birchington-on-Sea: from ‘Vigour and Go’ to Sweetness and Light

The subject of this post is a particular favourite of mine. Over the course of his long life, he was hugely industrious, not just in architecture but also in the applied arts – furniture, ceramics, stained glass, wall and ceiling painting, textiles and metalwork. Active as an author, polemicist and lecturer, he wrote almost prolificallyContinue reading “J.P. Seddon at Birchington-on-Sea: from ‘Vigour and Go’ to Sweetness and Light”

Technicolour Roguery: the rise and fall of Bassett Keeling

The 19th century was the age of Romanticism. Though its influence was felt in all the arts, many of the impulses driving the Romantic movement were literary in origin and one of their purest expressions is in the archetype of the Romantic hero – fated to be an outcast from society by incomprehension of hisContinue reading “Technicolour Roguery: the rise and fall of Bassett Keeling”