J.P. Seddon at Birchington-on-Sea: from ‘Vigour and Go’ to Sweetness and Light

The subject of this post is a particular favourite of mine. Over the course of his long life, he was hugely industrious, not just in architecture but also in the applied arts – furniture, ceramics, stained glass, wall and ceiling painting, textiles and metalwork. Active as an author, polemicist and lecturer, he wrote almost prolificallyContinue reading “J.P. Seddon at Birchington-on-Sea: from ‘Vigour and Go’ to Sweetness and Light”

Bristly, stripy and muscly – the architecture of Poundley and Walker

Several of the architects featured so far in this blog were, for all the distinctiveness of their architecture, specialists in a particular building type, be it churches, country houses or non-conformist chapels. Where 19th century architects were professionally more omnivorous, they tended to cut their stylistic cloth according to the commission. Though we think ofContinue reading “Bristly, stripy and muscly – the architecture of Poundley and Walker”

Multum in parvo – John Middleton and Llangynllo

There won’t be all that many posts on this blog devoted to individual buildings, but this one is so extraordinary that I have to make an exception. We first encountered Sir Thomas Lloyd (1820-1877) in connection with St Dogfael’s Church in Meline, featured in last week’s post on R.J. Withers. Though Gothic Revival, that isContinue reading “Multum in parvo – John Middleton and Llangynllo”

Technicolour Roguery: the rise and fall of Bassett Keeling

The 19th century was the age of Romanticism. Though its influence was felt in all the arts, many of the impulses driving the Romantic movement were literary in origin and one of their purest expressions is in the archetype of the Romantic hero – fated to be an outcast from society by incomprehension of hisContinue reading “Technicolour Roguery: the rise and fall of Bassett Keeling”